What is Capoeira?

Capoeira is a martial art, a dance, a fight and a game.

Capoeira originated in Brazil around 500 years ago when West Africans were brought to Brazil as slaves during the colonial period. In Brazil, they were prohibited from celebrating their cultural customs and strictly forbidden to practice any martial arts, and in their search for freedom capoeira emerged.

Since then, capoeira has evolved and transformed. Today, it combines martial arts, dance, acrobatics, music and rhythms, all steeped in Afro-Brazilian roots. Capoeira is a dialogue between players, a conversation through movement, which is fascinating to watch but even better to play.

Capoeira is comprised of specific offensive and defensive movements and, unlike in other martial arts, the participant is constantly in motion because of the fundamental movement, the ginga.

The ginga (literally, rocking back and forth) has two main objectives: to keep the Capoeira player in a state of constant motion, preventing them from being a still and easy target; and, using ‘fake’ movements, to mislead or trick their opponent, leaving them open for an attack or a counter-attack.

Capoeira players are required to wear a uniform, which consists of white pants, or abadá, and a t-shirt, typically white with the Capoeira academy’s logo. The pants are secured by a cordão, or belt, which is a specific colour based on the Capoeira player’s level of experience. A beginner student receives their first cordão and receives subsequent belts after demonstrating their skills at an annual Batizado (literally, baptism) and Troca de Cordão (graduation).


The birth of Capoeira

In the sixteenth century, countless slaves from different nations and tribes of West Africa were brought to Brazil by the Portuguese colonists. Slaves were forbidden to practice self-defence and the dance-like movements of Capoeira were devised as a way of disguising their training of combat and self-defence as a ritual, to avoid persecution by the slave masters.

Capoeira emerged as a method of survival and to fight for freedom. Using Capoeira, many slaves escaped their masters and formed rebellion groups known as Quilombos, creating communities outside of Portuguese control.

These communities stood as strongholds against the Portuguese, and many are famous for the courageous defences they put up. The escaped slaves used Capoeira to fight Capitães-do-mato, the armed and mounted colonial agents who were charged with finding and capturing escapees.

The beginning of freedom

In 1888, Brazil abolished slavery. This was the beginning of some freedom for Afro-Brazilian slaves, but not yet for Capoeira. This period and the years to come, were a very tumultuous era for Capoeira.

Many newly freed citizens found themselves without homes or income, creating widespread poverty. As Brazil’s population expanded in the 19th century, crime exploded within the urban centres and Capoeira was one of the many weapons used.

Using fake names to avoid identification, and concealing weapons such as razor sharp barber blades, some gangs were trained in the art of Capoeira and caused problems throughout Brazil. Consequently, Capoeira was outlawed nationally in 1890, and those seen practicing it suffered severe consequences, such as death.

It would only be many years later that Capoeira was given the chance for true freedom.

"Capoeira emerged as the pursuit of freedom from slavery."


Capoeira survived the near extinction it faced after being made illegal in 1890.

It was Mestre Bimba, a respected fighter from Salvador, one of the last cities where Capoeira was still practiced, who rekindled the popularity of Capoeira. Presenting the cultural significance of Capoeira while also highlighting the attention it gained from tourists, Bimba successfully convinced Brazilian authorities of the cultural value of the art and was allowed to open the first Capoeira school in 1932.

Mestre Bimba believed Capoeira had become too playful and ineffective as a martial art and created new movements and choreographed attacks, as well as the first system-based teaching method for Capoeira. He named his new style Luta Regional Baiana ("regional fight from Bahia"). The Luta Regional Baiana became popular with the cultural elite of Brazil, and this gradually changed Capoeira's lowly image and criminal connotations. By 1940, the official ban was lifted and Capoeira was legalised.

MESTRE BIMBA The father of Capoeira Regional

MESTRE PASTINHA The father of Capoeira Angola

This allowed two main streams to develop in unison, ‘Regional’, influenced by Mestre Bimba’s teaching, and ‘Angola’ which looked to the traditions of Capoeira before it was banned.

The name Angola starts as early as the beginning of slavery in Brazil, when Africans were called "black people from Angola", regardless of their nationality, and Capoeira was referred to as "playing Angola". The name Angola was firmly established by Mestre Pastinha in 1941 when he opened the Centro Esportivo de Capoeira Angola in the Salvador neighbourhood of Pelourinho. Mestre Pastinha, known as the father of Capoeira Angola, preferred the spontaneous aspects of Capoeira, and Angola is characterised by slow and smooth motions, played low to the ground.

Today, Capoeira is played all over the world, in many different styles, but all drawing from the same original elements of the art form.

In 2014 the Capoeira Circle (the Capoeira roda) was added to UNESCO's Representative List of the Intangible Cultural Heritage of Humanity. It recognises that the "Capoeira circle is a place where knowledge and skills are learned by observation and imitation" and that it "promotes social integration and the memory of resistance to historical oppression".


Capoeira CDO Perth is part of the greater Cordão de Ouro group which was founded by Reinaldo Ramos Suassuna - Mestre Suassuna - in 1967 along with Mestre Brasília.

Cordão de Ouro is one of the biggest and most renowned Capoeira groups in the world. Our schools can be found in over 70 countries and on all continents of the world.

Mestre Suassuna began his Capoeira journey as a boy in his hometown, Itabuna-BA, because of a muscular problem in his legs that forced him to practice some sport. At this time, he would frequent street rodas where great capoeiristas from the region showed their skills, such as Masters Sururu, Bigode de Arame and Maneca Brandão.


MESTRE SUASSUNA The founder of Capoeira Cordão de Ouro

To get more knowledge, occasionally he would travel to Salvador, where attended the most famous terraces of Capoeira of Bahia. Mestres Bimba, Canjiquinha, Pastinha, Waldemar, Caiçara and some others teachers became the reference to develop his work. Later on Mestre Bimba and Mestre Canjiquinha, being two of the most prominent of the time came to give him a diploma recognizing his work as a Master.

With his students, Mestre Suassuna developed the style of Miudinho, which is a skillful and unique way of playing a beautiful Capoeira game in limited space. Miudinho has been a great influence in the way capoeiristas who belong to Cordão de Ouro move.

Today, Mestre Suassuna travels the world and is much beloved by all. In 2017, the Group Cordão de Ouro celebrated 50 years of existence. The event Dia de Ouro was held in São Paulo which attracted hundreds of capoeiristas, teachers, Mestres and distinguished guests from Brazil and all over the world.